Art, Literature And Society From 1955-1970 Essay -- essays research pa

Fear and Loathing in a Clockwork AgeAh The courtly search for identity. That intangible achievement that all artists lust after and cast in torment over. And during the post war era that struggle reached implausible magnitudes. The world cried out for legions of anti-heroes, who were only virtuous in their unapologetic and viciously honest lack of virtue. And the art world provided as many previse culture messiahs as was needed to "Damn the Man". The Beats, hippies, and punks are march that behind the white picket fence of suburbia lay an the States that wanted more out of life than the sugar coated portrayals of domesticity and patriotism it received from pop culture. The unfortunate side of authenticity often pull up stakes to the conclusion that autonomy was an impossible dream and that just mere earthly concern required an individual to compromise his integrity. The post-war generation developed an interesting love-hate kindred with the mass culture of its time. Some, like Andy Warhol, embraced the inevitability of mass culturalization in order to control the beast (yes, this is a reference to Revelations). While others recognized the American Dream as being a hypocrisy and so chose the Golden Eternity instead.The Beat generation and early hippies want to separate themselves from mainstream society where they believed they could start anew and fully experience life, liberty, and the hunt of happiness. The flower child philosophy was in fact very Transcendental, negatively charged the stuffy New England mentality. The sexual, spiritual, and intellectual freedom and autonomy that characterized the Haight-Ashberry scene were snuggled to the Whitmanesque ideal than anything achieved during his life time. Postwar America was extremely prosperous from the weather point of the middle class white suburbanite. The only problem was that not everyone fit that mold. And level those who were born into that environment often found its conventions limiting and unfufilling. At home the issues facing minorities went, for the most part, ignored. Jim Crow laws were allowed to ache in the south until major Supreme Court decisions like embrown v. Board of Education declared segregation to be unconstitutional. But even still that did not solve the problem of good old fashion prejudice, which was as rampant as ever. And not every woman was blithe to once again be her husbands hous... ...ller Rock and footslog in the Age of Celebrity. New York St.Martins Press.1990Bessman, Jim. Ramones An American Band. New York St.Martins Press. 1993Doyle, Jennifer, Jonathan Flatley, and Jose Munoz. bug out prohibited Queer Warhol. Durham and London Duke University Press.1996Banes, Sally. Greenich Village 1963. Durham and London Duke University Press.1993Lippard, Lucy R. Pop Art. London Thames and Hudson.1985Milbank, Caroline. New York Fashion The Evolution of American Style. New York get at N. Abrams, Inc. Publishers.1989All Other SourcesAli , Tariq, Susan Watkins.1968 Marching in the Streets. New York Free Press.1998Allen, Donald M.ed. The New American Poetry. New York Groves Press.1960Burgess, Anthony.A Clockwork Orange. New York Ballatine Books.1963De Castelbajac, Kate. The Face of a Century100 years of Makeup and Style. New York Rizzoli.1995Dodd, David. The Annotated Grateful Dead Lyrics A Web Site. <a href="http//arts.ucsc.edu/gdead/agdl/songs">http//arts.ucsc.edu/gdead/agdl/songs. June 1, 1999Piccoli, Sean. The Grateful Dead. Philidelphia Chelsea House Publishers.1997Thompson, Hunter S.Fear and Loathing in Las Vegas. New York time of origin Books, a Division