.

Tuesday, February 5, 2019

Essay on Shirley Jacksons The Lottery - Blind Obedience Exposed

Blind esteem Exposed in The Lottery The yearly ritualistic stoning of a villager in Shirley Jacksons The Lottery parallels tradition in American culture. This paper provide inform the reader of the effect tradition has on characters in the con story The Lottery and how traditions still strongly influence peoples lives in america. Christian weddings hold many traditions and superstitions that seemingly defy logic. Although most couples no thirster have arranged marriages or dowries, fathers still give their daughters away during the services. The bride and stableman do not see each other before the ceremony, fearing that tough luck might come their way. A friend scolded me because I had in the beginning planned to marry at the top of the hour, and told me I should change it precisely to be safe. Society continues to hold these traditions and superstitions very dear because of ethnical influences and the possibility of bad things come outing. In Shirley Jacksons short stor y The Lottery, the annual ritualistic stoning of a villager parallels the traditions inherent in American culture. The shady box is a source symbol of tradition for the townspeople. The original box wore out many years ago, and a new box was strengthened from pieces of the old. This reflects customs in our own society. For exam... ... time. It is possible that they were simply afraid of what would happen to them if they changed or stopped the lottery. Maybe they just went through the motions of the lottery without question why, or really giving it much thought. Whatever the real reason, the tradition of the lottery continued. I will also continue to uphold traditions at my wedding one-month from now when my father will give me away at half past the hour, and I will take great melodic phrase not to see my fianc before. Work Cited Jackson, Shirley. The Lottery. Literature Reading, Reacting, Writing. 4th Ed. Ed. Camille Adkins. Orlando Harcourt College Publishers, 2001. 315 -322

No comments:

Post a Comment